A Sculptor Imagines How Ancient Art Will Be Seen in a Millennium

Excavating ancient sites and examining artifacts to get additional insight into the past is the practice of archaeology. However, when our descendants look back and attempt to understand what life was like hundreds or even thousands of years ago, how may archaeology look in the future? Daniel Arsham employs famous antiques to respect the collective cultural memory of humanity in his new display, Venice 3024. This is the question the artist seeks to answer.

As the name suggests, VENICE 3024 transports spectators 1,000 years into the future. Visitors are urged to explore both contemporary and classical art as if they were inquisitive archaeologists attempting to discover more about their ancestors. Replicas of well-known icons, such as ancient sculptures, displayed in both technologically altered and decaying forms may initially seem startling, but Arsham most likely intends for his exhibit to evoke that exact impression.

After all, the idea of fictional archaeology appears in almost all of his works, and he is undoubtedly no stranger to producing art that compels viewers to consider their own history, both past and present. Since the gallery that will house VENICE 3024 is a deconsecrated Roman Catholic cathedral, the structure itself serves as a symbol of how people’s relationships with cultural and religious organizations are always changing.

There are many modern symbols on exhibit in addition to artifacts from the old world, subtly reminding visitors that our present will soon be someone else’s shared history.

Arsham’s most recent creation is a modified MV Augusta Superveloce 800. He has experience customizing motorsports and functional cars. The model is ideal for the exhibit because it is stereotypically Italian. Since its 1940s release, it has gained popularity all around the world for its nostalgic style. The motorcycle has been reimagined by the artist as the Eroded Blue Calcite Superveloce 800, and it has been given a crystalline aspect to suggest age. Remarkably, the motorcycle is still completely operational, and if the artist so chooses, they can ride it outside the gallery and onto the street.

In addition to his well-known sculptures, Arsham is a gifted painter whose more two-dimensional works may be found in VENICE 3024. One of these paintings blends classical art with the stylized modernism of anime, with the features of an old woman’s statue appearing on one side of the canvas and then flowing into the face of a youthful anime girl on the other.

The artwork, which is part of his ongoing Fractured Idols series, deftly flips the color schemes between the two sides, contrasting the anime girl’s grayscale coloring with the gradient gray background of the statue and the girl’s brown background painted horizontally with the sepia-toned statue. This serves as a reminder that, despite centuries of change in artistic expression, fundamental elements remain the same.

Through September 15, 2024, VENICE 3024 will be on exhibit at Chiesa di Santa Caterina in Venice, Italy. Visit Arsham’s website and Instagram for further details about him and his art.

The newest display by Daniel Arsham, titled VENICE 3024, offers visitors to travel 1,000 years into the future.

The artist invites people to examine historical cultural art and technology as though they are archaeologists several hundred years from now, and this blend of the past, present, and future is reflected in his pieces.

Arsham frequently creates futuristic-looking copies of famous sculptures in order to achieve this.

Daniel Arsham: Website | Instagram

Leave a Reply

Your email address will not be published. Required fields are marked *

Back to top button